During this time, Kricfalusi, a true believer in the classic styles of Hanna-Barbera and Looney Tunes, was enthusiastically shopping around ideas to major studios. ![]() It really is like a Shakespearean play.”Īnimation was in a sorry state in the late 1980s and ‘90s, and shows were being churned out that were cheaply made and more concerned with selling toys - “My Little Pony,” “Strawberry Shortcake” - than artistry. Adds another: “The whole thing is tragic. “He had this sort of rockstar status,” an animator says of Kricfalusi in the fascinating, if occasionally long-winded doc. 14, reveals the culture of anger and fear at the now-defunct Spumco studios, led by the show’s fiery genius and scandal-plagued creator John Kricfalusi. But behind the scenes, the staff of Nickelodeon’s “The Ren & Stimpy Show” were feeling anything but “Happy Happy Joy Joy.”Ī new documentary called “Happy Happy Joy Joy: The Ren & Stimpy Story,” which premiered at the 2020 Sundance Film Festival and hits streaming services Aug. The show was a revolution, ending more than a decade of TV cartoon stagnation and inspiring the next generation of animators. Williams is brilliant in ‘892’ - his last film roleģ0-year-old who masqueraded as a high school junior revealed in new doc ![]() Abigail Disney disavowed her own film about terrorism under pressure from Muslim critics: reportĮverybody will be streaming the heartwarming hit ‘Cha Cha Real Smooth’
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